Three- some looks

Miley Cyrus in Armani. ’18.

Miley matures in near-subtle couture. There was a time when Armani dominated the red carpet: playing out chic silhouettes through dramatic cut out.

These cut-outs, less flamboyant, accentuate female form: allowing a full hourglass experience.

The hip cut-outs, of note, exaggerate fertility and in this way, strike a raw, authentic chord, perfectly embodying Ms Cyrus.

Ziyi Zhang in Armani. ’24.

Armani fits like a glove; any deviation from its house code, a bold statement indeed.

Here, Ziyi veers slightly left field in straight Armani drainpipes capped by a jaunty boat shirt, dressed in huge, silver buttons, and with a tilted beret.

Where we expect stiff tailoring, Ziyi gives us a day at the beach.

Elle Fanning in Chanel. ’25.

A multi-tiered dress speaks volumes to the girls forever for childhood memory: all Barbie prom tulle.

Chanel refines tulle across multiple hemlines of various width and fixtures, securing a sense of innocence/ play and structure.

Periwinkle blue, in this instance, conjures Cinderella, the dress too controlled, too layered to lift from a cartoon, but certainly a fairytale glamour.

Refined luxury that somehow encapsulates childhood and pure, inspiring fable.